This week, a harpsichord galliard from the 16th century by John Bull, a modern solo cello piece, Sonaquifer by Gloria Justen, Lily Boulanger’s 1918 D’un matin de printemps, Irving Fine’s 1951 Notturno for Strings and Harp, Luciano Berio’s 1973 Concerto for Two Pianos and Orchestra, and Kassia’s 9th century “Using the Apostate Tyrant As His Tool” featuring the Kronos Quartet.